By Caroline Bithell
A varied Voice, a unique Song lines the historical past of a grassroots scene that has before operated mostly underneath the radar, yet that has been lightly accumulating strength because the Nineteen Seventies. on the center of this scene this day are the usual voice move, based at the premise that "everyone can sing", and a growing to be transnational neighborhood of beginner singers partaking in multicultural tune task. writer Caroline Bithell unearths the fascinating internet of conditions and motivations that hyperlink those tendencies, highlighting their capability with appreciate to present social, political and academic agendas. She investigates how and why songs from the world's oral traditions have supplied the linchpin for the usual voice move, revealing how the musical traditions of alternative cultures not just offer a colorful repertory but in addition tell the ideological, methodological and moral rules on which the circulate itself is based. A assorted Voice, a special Song attracts on long term ethnographic study, together with participant-observation at choir rehearsals, performances, workshops and camps, in addition to interviews with voice lecturers, choir and workshop leaders, camp and pageant organisers, and common contributors.
Bithell exhibits how novice singers who're no longer musically literate can develop into efficient members in a colourful musical group and, within the method, locate their voice metaphorically in addition to actually. She then follows a few of these singers as they trip to far-off destinations to profit new songs of their typical habitat. She theorises those developments when it comes to the politics of participation, the transformative power of functionality, construction social capital, the worldwide village, and reclaiming the humanities of party and conviviality. The tales that emerge show a nuanced internet of intersections among the neighborhood and worldwide, one that calls for a revision of the dominant discourses of authenticity, cultural appropriation and organisation within the post-colonial international, and eventually issues in the direction of a extra innovative politics of difference.
A varied Voice, a distinct Song may be a necessary textual content for practitioners all for the average voice move and different vocal methodologies and choral worlds. As an important research within the fields of ethnomusicology, track schooling and neighborhood song, the booklet can also be of curiosity to students learning the democratisation of the voice, the dynamics of participation, global musics in functionality, the transformative energy of concord making a song, and the possibility of music-making for maintaining group and helping intercultural knowing.
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Additional resources for A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song
Sociologist Robert A. Stebbins, in The Barbershop N at u r a l Vo i c e , C o m m u n i t y C h o i r s , a n d W or l d S o n g [ 25 ] Singer: Inside the Social World of a Musical Hobby (1996), also focuses on the dynamics of participation, exploring the distinctive lifestyles enjoyed by “barbershoppers” and the rewards they derive from “the barbershop experience”. Stebbins considers barbershop singing as an example of a serious leisure pursuit, and describes a world in which local clubs intersect with umbrella groups in the form of national societies, associations, or federations (a model that might also be applied to the natural voice world).
2). Not surprisingly, the theme of water is prominent. The choir launches into a rendition of Janice Marie’s “Let Love Rain Down”, in an arrangement by Dee Jarlett, co-director of Bristol’s Gasworks Choir. The anthemic refrain, with its evocation of liberty and justice for all and allusion to the reggae-like mantra of “one love”, points to principles embraced by many of the singers gathered here today. “Water Wrinkles” by Morag Carmichael, who is here in the choir, then zooms in to focus on our immediate surroundings, its simple lyric painting a picture of the Thames as it flows under nearby Hammersmith Bridge.
As in the Sing for Water set described above, arrangements of Anglo-American popular songs figure prominently in the repertoire of many choirs, together with new material composed specifically for choirs of this kind. Perhaps the most striking feature, though, is the extensive place given to songs from different parts of the globe. find unexpected new listeners, fans, and sometimes performers in the most unlikely places” (2000: 328). Salsa classes and samba bands are now widely available and highly visible leisure activities, easily accessed by the residents of any sizeable British town.
A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song by Caroline Bithell