Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans's A Biographical Dictionary of Actors, Volume 6, Garrick to PDF

By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans

ISBN-10: 0809308339

ISBN-13: 9780809308330

Unlike one another, quantity five is a sociological portrait of usually little humans of their tragic and comedian efforts to accomplish repute at the London degree throughout the recovery and eighteenth century, while quantity 6 is dom­inated via the glamour of David Gar­rick, Nell Gwyn, and Joseph Grimaldi, the prestigious clown. a few 250 por­traits individualize the good and small of the theatres of London.

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Sample text

Just the opposite occurred, for Fermignac immediately spread the news, and his own disapproval, among members of his branch of the family. On seven of the next eight nights of performance at Goodman's Fields the steadily less-anonymous "gentleman" played Richard to ever-swelling crowds of the fashionable from the West End who had got wind of the prodigy. Thomas Davies reconstructed his reception: Mr. Garrick's easy and familiar, yet forcible style . . at first threw the critics into some hesitation concerning the novelty as well as propriety of his manner.

Garrick kept himself frantically busy, winning success after success: he acted Lothario in The Fair Penitent on 2 December, the Ghost in Hamlet on 9 December, Fondlewife in The Old Bachelor on 5 January 1742, Costar Pearmain in The Recruiting Officer on 14 January, Aboan in Oroonoko on 23 January, and Witwoud in The Way of the World on 27 January. After seven consecutive highly acclaimed performances of Bayes in The Rehearsal, the pace and excitement overwhelmed Garrick. Never really robust, he had played right through a bad cold in December and January, and in February he fell ill of a fever, causing a deferral, on the eighteenth, of The Rehearsal.

Garrick played 14 roles during a winter Page 12 Harvard Theatre CollectionDAVID GARRICK, as Abel Drugger engraving by Dixon, after Zoffany through which Drury Lane, despite good houses, was drawn deeper and deeper into debt by the dissolute Fleetwood. Before the end of the season bailiffs were attaching the costumes and properties, and salaries were so far in arrears that finally a rebellion was concerted among the leading performers. " It is not clear from early accounts just who fomented the insurrection.

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A Biographical Dictionary of Actors, Volume 6, Garrick to Gyngell: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London 1660-1800 by Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans


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